Number | Cut | Type | Visual Content | Sound | Colour | Time | Characters |
1 | - | - | White on Black title – ‘Retribution’ | SoundBridge – Fridge door opening. | Black | 4 | - |
2 | Mid-long shot. | Dad opening Fridge realising no milk. Actors’ names come up in contrast to colours on walls – small writing. | Diegetic | High key – inside. | 6 | Dad | |
3 | Pan to the right | Mid-long shot. | Follows Dad until he talks to daughter playing with dolls. | Dialogue – ‘Sweetie I’m just popping out alright. I’ll be back soon.’ | High key | 6 | Dad and Sophie (Youngest daughter) |
4 | Pans back to the left | Mid-long shot | Follows Dad as he walks through door. | Diegetic – footsteps, Dialogue – calls to Jess | High key | 4 | Dad |
5 | Straight Cut/Continuity Editing | Mid shot. | Shot down the corridor, with Dad central. Stairs going up on the right. | Diegetic - footsteps | High Key – Light coloured walls. | 3 | Dad |
6 | Pan upwards | Mid-long shot | Jess appears at bottom of stairs with headphones in. Dad looking up to her. | Diegetic | High Key | 2 | Dad and Jess (Eldest daughter) |
7 | Straight Cut | Close up on Jess’ face | Jess’ face – reveals identity and type of character. Teenage angst looks. | Dialogue – ‘Yeah, what’s up?’ Diegetic sounds coming out of Jess’ headphones | High Key | 4 | Jess |
8 | Shot/Reverse shot | Close up on Dad’s face | Dad’s face – reveals his identity and type of character. Middle aged. Smart Casual clothing | Dialogue – ‘I’m just quickly going to the shops. Keep an eye on your sister, ok?’ | High Key | 5 | Dad |
9 | Shot/Reverse shot | Close up on Jess’ face. | Jess’ face | Dialogue – ‘Yes Dad.’ | High Key | 3 | Jess |
10 | Shot/Reverse shot | Over the shoulder shot | Jess’ shoulder and Dad’s face as he turns away to leave house. | Diegetic – footsteps | High Key | 3 | Jess and Dad |
11 | Straight Cut/Continuity Editing | Mid-Long shot down corridor | Dad walks down corridor to front door and opens and leaves. | Diegetic | High Key | 4 | Dad |
12 | Straight Cut | ECU | Outside house showing Dad clearly shuts door. | Door slams shut, diegetic sounds outside. | Dusk, eerie. | 3 | Dad |
13 | Straight Cut | Mid shot | Sophie playing with dolls, she gets up and walks over to something. | Very quiet | High Key | 4 | Sophie |
14 | Straight Cut/Continuity editing | Close Up | Sophie winds up music box | Sound of her winding box | High Key | 5 | Sophie |
15 | Continuity editing | Extreme Close up | Music box opens, ballerina spins around | Music box begins to play – ‘Love Story’ | High Key | 3 | - |
16 | Cross cut | POV shot out of bush. Zooms in as Dad walks away. | Dad walks down street away from camera | Diegetic – sounds of dusk – cars, birds etc ‘Love Story’ continues to play | Dusk, dark lighting. | 4 | Dad |
17 | Straight cut | Long shot | ‘Cosy Corner’ shop, Dad comes into shot and walks up to door of shop | Diegetic – outside atmosphere. ‘Love Story’ | Dusk | 5 | Dad |
18 | Cross cut | Mid shot | Sophie playing with dolls, looking cheerful. | ‘Love Story’ continues. | High Key | 5 | Sophie |
19 | Cross Cut | Mid-long shot inside shop | Dad walks up to fridge picks up milk and goes to the counter. | ‘Love Story’ continues | High Key inside shop | 5 | Dad and cashier |
20 | Straight Cut | Close up | Cashiers face | Dialogue – ‘ That’s £2.50’ | High Key | 4 | Cashier |
21 | Shot/Reverse shot | Close up | Dad’s face, looking down at money. Looks up at the end as he leaves. | Dialogue – ‘There you go, thanks’ | High Key | 5 | Dad |
22 | Cross Cut | Mid shot | Sophie still playing with dolls | ‘Love Story’ continues. | High Key | 4 | Sophie |
23 | Cross Cut | Mid-long shot | Dad at the door of Cosy Corner leaving, with two shopping bags | Love Story suddenly cuts out and the silence returns. | Low key - Dusk | 5 | Dad |
24 | Cross Cut | Mid shot. Zooms in on | Room where Sophie was, the dolls are still there and the music box is open, but the music isn’t playing and Sophie isn’t there. | Silence | High Key | 6 | - |
25 | Cross Cut | Mid Shot | Dad walking down street as he walks up to his door with shopping bags | Diegetic | Dusk | 5 | Dad |
26 | Straight Cut/continuity editing | Long shot | Front Door is ajar. Dad walks into shot carrying shopping | Diegetic | Dusk | 3 | Dad |
27 | Straight Cut | Close up | Dad’s face looking shocked and worried | Diegetic | Dusk | 2 | Dad |
28 | Straight Cut | Close up | Dad dropping his shopping bags | Diegetic | Dusk | 2 | Dad |
29 | Straight Cut | Mid shot | Dad puts his hand into his jacket, pulls out a gun and walks up to the door | Diegetic | Dusk | 3 | Dad |
30 | Straight Cut | Close Up | Dad opens the ajar door with the gun | Diegetic | Dusk | 3 | Dad |
This shotlist came in handy when we went out to shoot our reccee and our final piece. We used it as reference on what shots we planned to take and also how long we aimed for them to last. This enabled us to keep well within our time targets and also meant that we weren't holding our actors up. Without it, it would have been extremely difficult to complete the final product that we had planned for.
JK
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