Tuesday, 8 March 2011

Shot list



Number
Cut
Type
Visual Content
Sound
Colour
Time
Characters
1
    -
     -
White on Black title – ‘Retribution’
SoundBridge – Fridge door opening.
Black
4
          -
2

Mid-long shot.
Dad opening Fridge realising no milk. Actors’ names come up in contrast to colours on walls – small writing.
Diegetic
High key – inside.
6
Dad
3
Pan to the right
Mid-long shot.
Follows Dad until he talks to daughter playing with dolls.
Dialogue – ‘Sweetie I’m just popping out alright. I’ll be back soon.’
High key
6
Dad and Sophie (Youngest daughter)
4
Pans back to the left
Mid-long shot
Follows Dad as he walks through door.
Diegetic – footsteps, Dialogue – calls to Jess
High key
4
Dad
5
Straight Cut/Continuity Editing
Mid shot.
Shot down the corridor, with Dad central. Stairs going up on the right.
Diegetic - footsteps
High Key – Light coloured walls.
3
Dad
6
Pan upwards
Mid-long shot
Jess appears at bottom of stairs with headphones in. Dad looking up to her.
Diegetic
High Key
2
Dad and Jess (Eldest daughter)
7
Straight Cut
Close up on Jess’ face
Jess’ face – reveals identity and type of character. Teenage angst looks.
Dialogue – ‘Yeah, what’s up?’
Diegetic sounds coming out of Jess’ headphones
High Key
4
Jess
8
Shot/Reverse shot
Close up on Dad’s face
Dad’s face – reveals his identity and type of character. Middle aged. Smart Casual clothing
Dialogue – ‘I’m just quickly going to the shops. Keep an eye on your sister, ok?’
High Key
5
Dad
9
Shot/Reverse shot
Close up on Jess’ face.

Jess’ face
Dialogue – ‘Yes Dad.’
High Key
3
Jess
10
Shot/Reverse shot
Over the shoulder shot
Jess’ shoulder and Dad’s face as he turns away to leave house.
Diegetic – footsteps
High Key
3
Jess and Dad
11
Straight Cut/Continuity Editing
Mid-Long shot down corridor
Dad walks down corridor to front door and opens and leaves.

Diegetic
High Key
4
Dad
12
Straight Cut
ECU
Outside house showing Dad clearly shuts door.
Door slams shut, diegetic sounds outside.
Dusk, eerie.
3
Dad
13
Straight Cut
Mid shot
Sophie playing with dolls, she gets up and walks over to something.
Very quiet
High Key
4
Sophie
14
Straight Cut/Continuity editing
Close Up
Sophie winds up music box
Sound of her winding box
High Key
5
Sophie
15
Continuity editing
Extreme Close up
Music box opens, ballerina spins around
Music box begins to play – ‘Love Story’
High Key
3
 -
16
Cross cut
POV shot out of bush. Zooms in as Dad walks away.
Dad walks down street away from camera
Diegetic – sounds of dusk – cars, birds etc
‘Love Story’ continues to play
Dusk, dark lighting.
4
Dad
17
Straight cut
Long shot
‘Cosy Corner’ shop, Dad comes into shot and walks up to door of shop
Diegetic – outside atmosphere.
‘Love Story’
Dusk
5
Dad
18
Cross cut
Mid shot
Sophie playing with dolls, looking cheerful.
‘Love Story’ continues.
High Key
5
Sophie
19
Cross Cut
Mid-long shot inside shop
Dad walks up to fridge picks up milk and goes to the counter.
‘Love Story’ continues
High Key inside shop
5
Dad and cashier
20
Straight Cut
Close up
Cashiers face
Dialogue – ‘ That’s £2.50’
High Key
4
Cashier
21
Shot/Reverse shot
Close up
Dad’s face, looking down at money. Looks up at the end as he leaves.
Dialogue – ‘There you go, thanks’
High Key
5
Dad
22
Cross Cut
Mid shot
Sophie still playing with dolls
‘Love Story’ continues.
High Key
4
Sophie
23
Cross Cut
Mid-long shot
Dad at the door of Cosy Corner leaving, with two shopping bags



Love Story suddenly cuts out and the silence returns.
Low key - Dusk
5
Dad
24
Cross Cut
Mid shot. Zooms in on
Room where Sophie was, the dolls are still there and the music box is open, but the music isn’t playing and Sophie isn’t there.
Silence
High Key
6
-
25
Cross Cut
Mid Shot
Dad walking down street as he walks up to his door with shopping bags
Diegetic
Dusk
5
Dad
26
Straight Cut/continuity editing
Long shot
Front Door is ajar. Dad walks into shot carrying shopping
Diegetic
Dusk
3
Dad
27
Straight Cut
Close up
Dad’s face looking shocked and worried
Diegetic
Dusk
2
Dad
28
Straight Cut
Close up
Dad dropping his shopping bags
Diegetic
Dusk
2
Dad
29
Straight Cut
Mid shot
Dad puts his hand into his jacket, pulls out a gun and walks up to the door
Diegetic
Dusk
3
Dad
30
Straight Cut
Close Up
Dad opens the ajar door with the gun
Diegetic
Dusk
3
Dad

This shotlist came in handy when we went out to shoot our reccee and our final piece. We used it as reference on what shots we planned to take and also how long we aimed for them to last. This enabled us to keep well within our time targets and also meant that we weren't holding our actors up.  Without it, it would have been extremely difficult to complete the final product that we had planned for.

JK

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